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RAF Print List - Robert Taylor
Robert Taylor Prints  Royal Air Force  RAF Print List |
[UP] - Spitfire - Hurricane - Mosquito - Typhoon - Lancaster - Stirling - Sunderland - Canberra - Hercules - Harrier - Beaufighter - Blenheim - Kittyhawk - Phantom - Wellington - Halifax - Gladiator - Swordfish - Camel - Bristol F2B - Lysander - Tempest - Sea Fury - Hawk - Sea King - Horsa |
Robert Taylor listing of all RAF aviation prints. Full list of Aviation art prints available from Aviation Artist Robert Taylor. Published by the Military Gallery and available from Cranston Fine Arts. |
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The Final Show by Robert Taylor. In May 1944 Wing Commander Roland 'Bee' Beamont led three squadrons of Hawker Tempests into operations for the first time. Flying from RAF Newchurch in Kent, one of the advanced landing grounds constructed in preparation for the invasion of France, they formed 150 Wing RAF. The far-sighted Beamont had almost single-handedly overseen the transformation of the Hawker Typhoon into the most potent ground attack aircraft of its day before turning his attention to its successor - the Tempest. With thinner wings, greater range, improved ailerons, a redesigned windscreen and all-round 'rear vision' canopy it was a significant improvement on the Typhoon. Through the last year of the war the unwavering pilots who flew these two mighty aircraft became the scourge of the German Army, blasting their way through armoured formations, destroying airfields, shipping, barges, bridges, trains, marshalling yards, rail hubs, anything to support the advancing British and Canadian armies as they battled their way through Belgium and the Netherlands towards the Rhine. And, as an increasingly desperate enemy fought back with V-1 'Doodlebug' flying bombs, the Typhoon and Tempest pilots destroyed those too - 150 Wing alone accounting for 638 V-1s destroyed. As the remnants of Hitler's once-fabled army collapsed under the onslaught, many high-ranking Nazis were faced with a choice - go down fighting or cut and run. Many chose to run, heading north to the Baltic coast with one aim in mind - a last-chance passage to neutral Sweden. The Tempest pilots of 150 Wing were amongst those tasked with stopping their escape. Some of the greatest pilots of the RAF flew this iconic aircraft and this painting depicts the final combat of the war for one such pilot - the legendary fighter Ace Pierre Clostermann. A Flight Commander with 3 Squadron, Clostermann is at the controls of his distinctive Tempest Le Grand Charles during a strafing raid against the heavily defended seaplane base at Grossenbrode, on the coast to the north of Lübeck. Having just destroyed two Dornier Do18 flying boats on the water, he now helps finish off a Bf109 and a Fw190 that have tried to pounce from above. |
Closing the Gap by Robert Taylor. As Typhoon Mk1b fighter-bombers of 247 Squadron exit the target area near Falaise at full throttle, the havoc wreaked in their wake bears witness to the devastation of their powerful rockets. Fuel and ammunition from the retreating German column explode with shattering detonations, the savagery of the attack demoralising the enemy into stunned oblivion. The Typhoons will hurtle back to base to re-arm and hastily re-fuel, ready for yet another withering strike on the encircled Wehrmacht columns. This stunning rendition from the the worlds premier aviation artist pays tribute to the brave young RAF fighter pilots of the twenty squadrons of rocket-firing Hawker Typhoons who flew those perilous ground attacks during the Battle of Normandy. |
Dambusters - Breaching the Eder Dam by Robert Taylor. Mist and fog swirled eerily over the Eder Lake on the night of 16/17 May 1943 as four specially modified Lancasters of 617 Squadron, under the leadership of Wing Commander Guy Gibson, circled overhead. Their target, the mighty Eder Dam, was barely visible in the valley below. Immediately following the successful breach of the Mohne Dam, Gibson had led his remaining aircraft 50 miles to the south-east to hit their second target, the Eder Dam. Surrounded by high ground with thousand feet ridges, the Eder was altogether a more testing target. The Lancaster pilots would need to dive steeply into the gorge that formed the Eder lake before undertaking a steep turn towards the Dam itself. As if this were not demanding enough in the darkness of night, they then had to fly towards the target at precisely 60ft above the lake at the exact speed of 230mph, before releasing their Barnes Wallace designed hydrostatic bouncing bombs. Pilots Shannon and Maudsley tried time and again to position their laden bombers correctly before managing to release their weapons - but the dam still held. Now success depended solely on Knight carrying the last bomb! With time and fuel now a concern, Knights first effort to position, like Shannon and Maudsley before him, failed, but his second run favoured the brave. Knight released his bomb with absolute precision, striking the wall at precisely the crucial point. With a tremendous explosion the Eder Dam collapsed before their eyes. Robert Taylors sensational new painting vividly shows the dramatic moment of impact. In the cockpit Knight and flight engineer Ray Grayston fight the controls to clear the dam, combining their physical strength to haul the lumbering Lancaster up and over the dam and to clear the high ground that lies ahead. Below and behind them, the second of Germanys mighty western dams lies finally breached. |
Night Intruder by Robert Taylor. A colourful painting depicting a Mosquito, the fastest Allied aircraft and perhaps the most versatile of all to fly in World War II, dodging between the flak and searchlights on a low-level night attack. |
Eagle Force by Robert Taylor. In the dark days of 1940 following Dunkirk, a seemingly defenceless Britain stood starkly alone in Europe, facing the might of an all-conquering Nazi Germany. Protected only by the narrow waters of the English Channel, it was left to a tiny band of young RAF fighter pilots to stem the Luftwaffes onslaught as the country braced itself for invasion. Across the Atlantic, America followed the savage encounters of the Battle of Britain, knowing that soon it too would become involved in the war. Unable to wait, a small band of Americans decided their time had come; some 240 young US pilots, motivated to fight for the cause of freedom, made their way to England to fly with the RAF, and later the USAAF; many paid the ultimate price, more than a third never returning home. By September 1940 these carefree young flyers were united into a re-formed 71 Squadron, the first of three Eagle Squadrons, and the first to go into action, followed shortly after by 121 and 133 squadrons. Showing the same steely determination that had carried their British comrades through the Battle of Britain, they were quickly embraced into the fold of the RAF, their ferocious reputation in combat endearing them to the British people. The legend of the American Eagles was born. Robert Taylors tribute to the young American volunteer pilots who joined the RAF to fight for freedom at the time when Britain stood alone against the Nazi domination in Europe. Robert Taylors painting features Spitfire Vbs of 71 Squadron RAF as they return to their base at North Weald, September 1941, the young American pilots perhaps taking a brief moment to marvel at the myriad colours of the late evening sun - welcome relief from the perils of recent air combat with the Luftwaffe high above the English Channel. |
Red Arrows by Robert Taylor. The R.A.F.s Red Arrows - perhaps the finest close formation aerobatic team in the world, flying their renowned Hawk jets over the Gloucestershire countryside. |
High Cost by Robert Taylor. The crews of Bomber Command faced one of the most daunting tasks, calling for courage sustained night after night, in conditions of desperate danger and discomfort. They did not fail us and 55,573 paid the supreme sacrifice. In his new tribute to The Many, Robert Taylors evocative painting recreates a typical scene encountered by many Royal Air Force bomber squadrons on raids over enemy occupied territory: Having already survived 30 successful operational sorties, on 9 February 1945 Lancaster PG-G of 619 Squadron has been intercepted by Luftwaffe night-fighters during a raid over Stettin Bay. |
Eagle Squadron Scramble by Robert Taylor An outstanding painting commemorating the intrepid 240 American air men who volunteered to fly with the R.A.F. in their early struggle against the Luftwaffe before the U.S.A. joined the war. Taylors painting vibrated with the roar of the Spitfires Merlin engines as they Scramble into action. Goodson later became a 4th Fighter Group Ace. |
Uneven Odds by Robert Taylor In August 1940, Frank Carey let No 43 Squadrons A Flight into Schwarms of JU87s, escorted by Me109s. Though hopelessly outnumbered, Carey accounted for 4 JU87s before running out of ammunition. |
Strike and Strike Again by Robert Taylor. By the spring of 1945, Germanys once all-conquering submarine fleet, driven by allied forces from its bases in estern France, had fled to the relative safety of the Norwegian fjords - territory still remaining under German occupation since 1940. In one of Hitlers last stands, more than 100 U-Boats, merchant freighters, flakships, and other military vessels were hathered in the narrow fjords, laying up by day and sailing undercover of darkness. They were a menace that had to be dealt with. Tasked with the difficult job of eliminating this force were the Beaufighters and Mosquitos of RAF Coastal Commands Strike Wings based in Scotland. - Our job was to go after this shipping and sink it - recalled Wing Commader Colin Milson, C.O. of No. 455s Beaufighters. - The fjords were often just 200 - 300 yards across with cliffs rising vertically up 2000 feet, the deep water allowing the German shipping to get in beneath these high overhanging cliffs. This made for difficult and dangerous flying, exacerbated by the heavy flak and machine gun fire that always welcomed us. |
Mosquito into Attack by Robert Taylor Leonard Cheshire VC is one of the most outstanding of all RAF Bomber Pilots. He devised the master bomber technique - flying low over the target marking with flares, allowing the main force to pinpoint the target in the darkness. Cheshire flew over 100 operational missions and was awarded the Victoria Cross for his supreme courage. |
Inbound to Target - The Dambusters by Robert Taylor. The crews of 617 Squadron that took part in the epic Dambusters raid on the night of 16/17 May 1943 were among the finest in the RAF. They were the elite of Bomber Command, and when they left RAF Scampton that night, the skills of their pilots - some of the finest of the Second World War, would be tested to the limit. First, they must guide their aircraft across heavily defended enemy territory at altitudes often as low as fifty feet, dodging flak, trees, buildings and power lines. And then they must attack their targets with a precision unmatched in the annals of the RAF. Of all the pilots who took to the skies that night, no-one was more accomplished at low-level flying than Flight Lieutenant Mick Martin, and it is his aircraft, Lancaster AJ-P that is the subject of this artwork. In company with Flight Lieutenant John Hopgood in the distance, they follow one of the many canals of Holland, wingtips barely missing the sails of the windmills, en-route to the Mohne Dam. |
They Landed by Moonlight by Robert Taylor. To fly a small aircraft at the dead of night, without radio communication or navigational assistance, deep into enemy-occupied territory, was an extremely perilous task. To then land on an unlit remote field, deliver secret agents, collect Resistance leaders, or downed airmen and fly them home without attracting the attentions of enemy night fighters, was appallingly risky work. Yet throughout World War II the prime function of the pilots of the RAFs Special Duties Squadrons was to fly time and again into occupied France, in utmost secrecy, under the cover of darkness. It was acutely dangerous work requiring inordinate flying and navigational skills, and supreme courage. Most suited to these clandestine operations was the rugged Westland Lysander, operations being conducted, weather permitting, during the moons fullest phase. Guided only by torch light, the pilot made a hazardous night landing into an isolated field at a pre-arranged time, trusting that agents on the ground had checked the field for cart tracks and loitering Gestapo. Every mission required ice cool bravery and nerves of steel. |
Sea Fury by Robert Taylor Flying an 805 Squadron Sea Fury from H.M.S. Ocean in Korean waters, 1952, Hoagy Carmichael became the first piston engine pilot to destroy a jet aircraft when he downed a North Korean MiG. |
Wellington by Robert Taylor. Published in 1980 this rare art print shows Wellingtons of 425 Squadron RCAF, with the aircraft KW - E and KW - N clearly shown. This superb prints carry the rare original signature of FLt/Lt Townsend who passed away in April 1991. These were the only prints he signed personally. 100 Wellingtons from 420, 424, 425, 426, 427, 428, 429, and 431 Squadrons were ordered on an attack at Mannheim. The crews were over the target at between 12,000 and 16,000 feet, releasing 118,000 lbs of high explosives and 91,000 lbs of incendiaries. According to reports, bombing was accurate with severe damage being caused. Wellington X HE-475 coded KW-E, failed to return from this operation : Sgt P. Bujold RCAF, taken prisoner Sgt W. Harris RAF, taken prisoner P/O H. Gray RAF, killed Sgt W. Redding RAAF, taken prisoner F/Sgt J. Leblanc RCAF, killed. |
Wings of Glory by Robert Taylor. Robert Taylors spellbinding painting, Wings of Glory, paying tribute to Mitchells immortal fighter, features the MkX1X Spitfire of the RAFs Battle of Britain Memorial Flight. Powered by the Rolls-Royce Griffin engine providing maximum speed of 450mph and a 44,000 feet operating ceiling, this lovingly restored aircraft thrills generations of aviation enthusiasts with her spectacular aerobatics at Europes summer air shows. This most beautiful of fighters gives a virtuoso performance, high among the clouds, alone in her magical element, she dances an aerial ballet like no other could. |
Gallant Ohio by Robert Taylor Spitfires of 126 and 185 Squadrons successfully fend off a last desperate attempt by enemy aircraft to sink the crippled American tanker Ohio, still some 80 miles short of the beleaguered island of Malta. Badly damaged and barely afloat the Ohio, assisted by Royal Navy destroyers Penn, (foreground), Bramham (lashed to Ohios port side) and Ledbury, limped into port to a tumultuous welcome, on August 15, 1942. Her vital cargo of fuel kept the islands air defences alive, and ultimately made the island secure. |
Valiant Response by Robert Taylor. The Spitfires of 54 Squadron, quickly scrambled from nearby Hornchurch, clash with the Me109s from 1./JG51 over Kent. Below, Me110s from KPRG210 are about to receive unwelcome attention as the rest of the Spitfires hurtle down upon them and in the distance, a group of Hurricanes rip through a dense formation of Do17s from KG76 as they struggle back to France. What clouds there are will be unlikely to give much sanctuary and, for the onlookers on the ground far below, the skies will soon be filled with weaving trails of smoke and debris. For nearly a week the Luftwaffe had thrown everything they had into the attack on southern England in order to annihilate RAF Fighter Command, in preparation for Operation Sealion, the invasion of Britain. And, heavily outnumbered, the young RAF Spitfire and Hurricane pilots of Fighter Command had so far repelled them, at a cost. But on Sunday 18 August 1940, the Germans launched the heaviest formations of aircraft seen in the battle so far. This was to be a grinding day of relentless assaults on the airfields of southern England, the hardest day of the Battle of Britain. |
No Turning Back by Robert Taylor. A Lancaster of No. 61 Squadron, RAF, piloted by Flt. Lt. Bill Reid, under attack from a German Fw190 en route to Dusseldorf on the night of November 3rd, 1943. Already injured in a previous attack, Bill Reid was again wounded but pressed on for another 50 minutes to bomb the target, then fly his badly damaged aircraft on the long journey home. The courage and devotion to duty that earned Bill Reid the Victoria Cross, was a hallmark of RAF bomber crews throughout their long six year campaign. |
The Battle for Britain by Robert Taylor. A Battle of Britain Spitfire from 610 Squadron takes on a Me109 from I./JG3 in a head-on attack high over the south coast port of Dover, in the late morning of 10 July 1940. |
Fury of Assault by Robert Taylor. When Luftwaffe bombers first appeared in force in the night skies over London in September 1940 they heralded the beginning of The Blitz - the most sustained period of concentrated bombing aimed at British cities during World War II. Robert Taylors evocative painting brings to life the frightening scenario of the Luftwaffes night bombing campaign. It is December 1941, and London is once again under concentrated attack. With fires raging below, the armada of German bombers is clearly visible in the night sky as they sweep across the city. Shimmering in the glow of destruction, a lone Hurricane night-fighter from 85 Squadron, based at nearby Gravesend, engages Heinkel 111s of KG55 in a desperate attempt to break up the formations. |
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