Robert Taylor Prints . com

All of the superb range of aviation and naval art prints by renowned artist Robert Taylor, in one easy to navigate gallery.  Listing all prints from the RAF, Luftwaffe, United States Air Force and more - all of Robert Taylor's prints in one place.  Robert Taylor Prints . com show all available aviation and naval prints published over the years by the Military Gallery, available from Cranston Fine Arts, the Military and Aviation Art Print Company. Order with Confidence with Cranston Fine Arts aviation art publisher and distributor for over 24 years.


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Aviation Print Packs
P-38 Lightning Prints by Robert Taylor and Ivan Berryman.
Wide Horizons by Robert Taylor.
Wide Horizons by Robert Taylor.
Fork Tailed Devil (Lightning) by Ivan Berryman

Fork Tailed Devil (Lightning) by Ivan Berryman
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D-Day Spitfire Signature Prints by Graeme Lothian and Robert Taylor.
Canadian Wing by Robert Taylor

Canadian Wing by Robert Taylor
Ranger by Graeme Lothian.

Ranger by Graeme Lothian.
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Bomber Command Halifax Aircraft Prints by Gerald Coulson and Robert Taylor.
Leading the Way by Gerald Coulson.
Leading the Way by Gerald Coulson.
Out of the Night - The First To Go In by Robert Taylor. (B)
Out of the Night - The First To Go In by Robert Taylor. (B)
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Mosquito Signature Aviation Prints by Robert Taylor and Ivan Berryman.
Mosquito into Attack by Robert Taylor
Mosquito into Attack by Robert Taylor
Photo Reconnaissance Mosquito by Ivan Berryman. (B)

Photo Reconnaissance Mosquito by Ivan Berryman. (B)
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Spitfire Aviation Art Prints by Robert Taylor and Ivan Berryman.
Eagle Force by Robert Taylor.

Eagle Force by Robert Taylor.
Land, Sea and Air by Ivan Berryman. (C)

Land, Sea and Air by Ivan Berryman. (C)
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Latest Robert Taylor  Releases : 

 Continuing his popular series of Giclée Studio Proofs on canvas, Robert Taylor portrays Squadron Leader 'Sailor' Malan DFC, Commanding Officer of 74 Squadron and one of the great Battle of Britain Aces, in his famous painting Height of the Battle.  Having already made one diving attack into the force of Luftwaffe He111 bombers approaching London with their fighter escort, 'Sailor' peels his Spitfire over for a second attack. Another top Ace, Pilot Officer Harbourne Stephen DFC, is hard on his heels. Below them, typifying the scene as it was on the afternoon of Wednesday 11 September 1940, Mk.I Hurricanes from 17 and 56 Squadrons have already joined the fray.
Height of the Battle by Robert Taylor. (GS)
 The latest Giclée technology has once again brought Robert Taylor's sophisticated artistry to life to faithfully replicate his classic painting of the Hurricanes of 1 Squadron (RCAF).  Becoming operational at Northolt in August 1940 they served with great distinction throughout the Battle of Britain.
Maple Leaf Scramble by Robert Taylor. (GS)
 Few flew the Hurricane better in combat than Squadron Leader John Grandy, Commanding Officer of 249 Squadron. Robert Taylor's iconic painting Hurricane Attack portrays him about to pounce on a Bf110 over the Isle of Wight in August 1940.
Hurricane Attack by Robert Taylor. (GS)
 By any military standards, it is difficult to imagine the Supreme Commander of the largest air force of the day, piloting himself over the battlefront during the early moments of one of historys greatest military operations. But General Jimmy Doollittle was no ordinary commander. Already awarded Americas highest decoration for valour, General Doolittle was, by the summer of 1944, in command of the American 8th Air Force. On the morning of 6 June, D-Day, he dispatched 1350 bombers together with his entire fighter force to attack enemy ground installations near the beachheads. Sitting around waiting for intelligence reports was not Jimmy Doolittles style. He was going to see for himself what was happening! With Pat Partridge as wingman, they took off flying P-38 Lightnings - chosen for their distinctive profile in the hopes they would deter friendly fire - and climbed above the overcast. Having observed the 8th Air Forces operations at first hand, as they turned for home, Doolittle spotted a hole in the clouds, flick-rolled through it and disappeared beneath the cloud layer. Pat Partridge had his head in the cockpit, probably changing his gas tanks, and when he looked up there was no sign of his Supreme Commander, he circled around for a while, then headed for home. Beneath the clouds Doolittle saw - the most impressive and unforgettable sight I could have possibly imagined - . As some 5000 ships of all shapes and sizes landed 176,000 troops on the enemy held beaches of Northern France, Doolittle flew up and down the battlefront assessing how the invasion was progressing, and after a two and a half hour sortie, headed back to base. After landing, Doolittle hurried over to General Eisenhowers headquarters to provide the first report Eisenhower received, beating his own intelligence information by several hours.
Doolittles D-Day, 6th June 1944 by Robert Taylor. (GS)

 

FEATURED SIGNATURE



Oberleutnant Walter Schuck

Initially with JG3, Walter Schuck was posted north to 7./JG5 in April 1942. On 15 June 1944 he chalked up his 100th victory during a day when he shot down 6 aircraft. Two days later he had his most successful day, achieving 12 victories in twenty-four hours, a feat never surpassed in JG5. On 1 August, he assumed command of 10./JG5. Walter Schuck transferred to fly the Me262 as Staffelkapitan of 3./JG7, and achieved 8 further victories flying the new jet. His final tally was 206 air victories. He was awarded the Knights Cross with Oak Leaves.

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Spitfire

Royal Air Force fighter aircraft, maximum speed for mark I Supermarine Spitfire, 362mph up to The Seafire 47 with a top speed of 452mph. maximum ceiling for Mk I 34,000feet up to 44,500 for the mark XIV. Maximum range for MK I 575 miles . up to 1475 miles for the Seafire 47. Armament for the various Marks of Spitfire. for MK I, and II . eight fixed .303 browning Machine guns, for MKs V-IX and XVI two 20mm Hispano cannons and four .303 browning machine guns. and on later Marks, six to eight Rockets under the wings or a maximum bomb load of 1,000 lbs. Designed by R J Mitchell, The proto type Spitfire first flew on the 5th March 1936. and entered service with the Royal Air Force in August 1938, with 19 squadron based and RAF Duxford. by the outbreak of World war two, there were twelve squadrons with a total of 187 spitfires, with another 83 in store. Between 1939 and 1945, a large variety of modifications and developments produced a variety of MK,s from I to XVI. The mark II came into service in late 1940, and in March 1941, the Mk,V came into service. To counter the Improvements in fighters of the Luftwaffe especially the FW190, the MK,XII was introduced with its Griffin engine. The Fleet Air Arm used the Mk,I and II and were named Seafires. By the end of production in 1948 a total of 20,351 spitfires had been made and 2408 Seafires. The most produced variant was the Spitfire Mark V, with a total of 6479 spitfires produced. The Royal Air Force kept Spitfires in front line use until April 1954.

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All Our Latest Aviation Releases : 

The practice of shooting down observation balloons was as dangerous as it was essential and none was more successful than Belgium's Adjutant Willy Coppens of the 9ème Escadrille, Aviation Militaire Belge who downed an astonishing 35 balloons, as well as two aircraft during his flying career in WW1.  He is shown here in Hanriot HD.1 No24 destroying a German Drachen balloon in the closing minutes of the day near Houthulst.

Last Kill of the Day by Ivan Berryman.
 Richard Taylor's stunning painting depicts the men of the 506th Parachute Infantry Regiment, 101st Airborne Division as they take inventory of their equipment during the early evening of 5 June 1944.  Adorned with hastily applied invasion stripes, the C-47s of the 438th Troop Carrier Group stand primed, ready to carry the elite unit to Normandy in the early hours of D-Day 1944.  To add to the poignancy of this release, the edition is personally signed by veterans that jumped on D-Day with the 101st Airborne.

Eve of Destiny by Richard Taylor.
 The Hurricane was the RAF's first fighter capable of flying at over 300mph and proved to be one of the most rugged fighters in the history of combat aviation.  Hurricanes fought with distinction in the Battle of France and, during the Battle of Britain, shot down more enemy aircraft than its famous counterpart, the Spitfire.  Richard Taylor's superb painting hints at the bitter fighting that lies ahead.  A few months ago they had been fighting for their lives during the Battle of Britain but for now the snow-clad tranquility of an English winter brings a brief, but welcome, relief for the Mk.1 Hurricane pilots of 87 Squadron.

Winter Combat by Richard Taylor.
Swamped by mud amidst a desolate, shattered landscape, men and horses of the Royal Field Artillery drag their 18 pounder field-gun towards a new position on 15 November 1917, during the final days of the Battle of Passchendaele.  Whilst the army continues its grim fight on the ground, overhead Sopwith Camels from 45 Squadron Royal Flying Corps tangle in an equally deadly duel with German Albatros fighters of Jasta 6.  Flying the lead Sopwith Camel is the RFC Ace, 2nd Lt Kenneth Montgomery who scored the last of his 12 victories in this dogfight when he shot down the German Ace Leutnant Hans Ritter von Adam, the Commanding Officer of Jasta 6 with an impressive 21 victories to his name.  To commemorate one of the most significant anniversaries in history, Anthony Saunders has created a powerful painting portraying the bleak sacrifice made by so many heroic young men.  The names of the bitter battles they endured, however, still live on a hundred years later – Ypres, the Somme, Vimy Ridge, Arras, Loos – and one of the most savage – Passchendaele.

The Big Push - Passchendaele 1917 by Anthony Saunders.
 The swaggering figure of the Reichsmarshal swept imperiously into the Air Ministry on Berlin's Wilhemstrasse, his jewel-encrusted baton and extravagant uniform as flamboyant as ever. This was Saturday, 30th January 1943, the tenth Anniversary of the Nazi Party coming to power, and Goering was about to deliver the main speech in tribute to the Party and its leader, the Fuhrer - Adolf Hitler.  The Royal Air Force had other plans for the anniversary.  In stark defiance of the imagined air security safeguarding Berlin, brave pilots of 105 and 139 Sqn's took to the air in de Havilland Mosquitoes, on course for Germany.  Their mission: RAF Bomber Command's first daylight raid on Berlin!  The raid was timed to perfection and three Mosquitoes of 105 Sqn raced headlong, low level towards their target - the Haus des Rundfunks, headquarters of the German State broadcasting company.  It was an hour before Goering could finally be broadcast.  He was boiling with rage and humiliation.  A few hours later, adding further insult, Mosquitoes from 139 Sqn swept over the city in a second attack moments before Goebbels addressed a Nazi mass rally in the Sportpalast.  Goering's promise that enemy aircraft would never fly over the Reich was broken, the echo of that shame would haunt him for the rest of the war.  This  dramatic painting pays tribute to this pivotal moment in the war, capturing the Mosquito B.Mk.IVs of 105 Sqn departing the target area, following their successful strike on the Haus des Rundfunk.

Strike on Berlin by Anthony Saunders.
 Godwin von Brumowski's 13th victory against an Italian Macchi seaplane over Grado, in northern Italy.

Lucky 13 by Ivan Berryman.
 B-17G 2107027 is depicted limping home to Bassingbourn with the starboard outer propeller feathered following a raid during the Summer of 1944.  'Hikin' for Home' served with the 322nd Bomb Sqn, 91st Bomb Group as part of the 8th Air Force.  Escorting her home is Major George Preddy, the highest scoring P-51 pilot and sixth in the list of all-time top American Aces, seen here flying 413321 'Cripes a Mighty 3rd'.

Hikin' for Home by Ivan Berryman.
Wellington Mk.III X3671 of 156 Sqn piloted by P/O Fox is depicted laying mines in the Estuary of the Loire on the night of 16th April 1942 in the Bay of Biscay.  Just three days later, P/O Fox failed to return from a similar 'Gardening' sortie whilst flying Wellington X3485.

A Spot of Gardening by Ivan Berryman.

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Signatures

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Gunther Rall

Johnnie Johnson

Bud Anderson

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Rolling Thunder by Robert Taylor.

Rolling Thunder by Robert Taylor.
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Spitfire Clipper by Robert Taylor (AP)
Spitfire Clipper by Robert Taylor (AP)
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Bomb Away! The Third Assault by Robert Taylor. (AP)

Bomb Away! The Third Assault by Robert Taylor. (AP)
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Spitfire Clipper by Robert Taylor.
Spitfire Clipper by Robert Taylor.
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Valiant Response by Robert Taylor. (AP)
Valiant Response by Robert Taylor. (AP)
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The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

 

 

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